We were both surprised to see how excited he was for the carnival. Charles is at least 6’ tall, but only 14. His voice changed before his heart. He wanted to go on the rides. The city of Aix doesn’t have room to house giant rides for the Christmas fair. They are mostly for toddlers. Tiny airplanes. Little horses. We could see he was disappointed. Sometimes, you just want to be small.
Some might say I’m too big to miss my mom. But nobody told my heart. So I eagerly await in the blinking light of the Christmas tree, for a miracle twice my size. A miracle of joy. A miracle of peace — one that passes all understanding. I still want to ride the tiny airplanes. The tiny horses. To feel the magic of the season — the magic of being small.
Someone was assigned to pull down the 8′ black shades and the white screen at the front of the class. Another student was assigned to wheel in the projector. The rest of us squirmed in our seats with hearts beating like gerbils on a wheel. Movie day at Washington Elementary was like no other. Nearly two hours of no memorizing. No reciting. No confusion. No pressure.
The sound of the wheel clicking into place. Then the film snaking into position. The projection light coming cn. It was almost unbearable. We had watched the same film for years. First grade. Second grade. Again in 3rd, 4th and 5th. It didn’t matter. It was the memory of pure and uncomplicated joy.
It has been decades since I sat at those desks. But I can feel it as though it were yesterday. Today, memories of my mother turn round and round on my heart’s movie reel. This joy is almost unbearable, but I know I will carry it with me, forever — for that’s what she was, pure and uncomplicated joy.
Everything can be explained away. But why would you want to?
I was walking down the gravel path in Aix. There is a specific sound to footsteps on gravel. Almost a gathering in and a crunch. I know this sound. I grew up on a gravel road. Now, if you google it, it says that Softer surfaces like gravel reduce the force of impact with your running stride and may allow you to recover more quickly from the workout. Plus these softer surfaces require you to use stabilizing muscles that may grow lax on the road or sidewalk. I’m sure all of that is true. For me though, it’s the familiar of it all that helps the most.
Yesterday, desperately in need of this “softening” and “stabilizing,” I set out on our gravel path. Half way on my journey, I saw a sign — painted in yellow on a giant rock. Now I’m sure it can all be explained away. Perhaps it was put up for a running group. Directions for their race. But all I saw was the word “Ivy.” My mother’s name. Ivy. My heart smiled. I was home.
I guess we all choose to see what we want to see. Choose to feel what we want to feel. And for me, today and everyday, I am going to believe in the magic of it all. I’m going to believe in my feet, my heart, and the love that is always out there, leading me on this, sometimes rugged, but always beautiful path.
I was thrilled when I heard that all the girls had to take shop class — thrilled, that is, until I learned that it wasn’t going to be at the mall, but in the lower level of Central Junior High, with the saws, sanders, wood, and the three-fingered instructor.
Looking back, it was quite progressive. At the time, I didn’t realize how lucky we were. Everyone took everything – no question of gender. We had the funds, not only for these courses — woods, plastics, metals, drafting, cooking, sewing — but we also had band and choir and gym and swimming! Exposing us to a world beyond the brick walls. (Even beyond the mall.)
I suppose it was the smell that I first fell in love with – the smell of cut wood. It had the air of possibility. Week by week our projects progressed. “It has to be flush,” he said. So we sanded again and again. We built small bookshelves. Carrying it home on the bus, was one of my proudest days. It trophies in my hands and lap. The younger kids brushed their hands along the wood, to see if what I was telling them was true, that we had spun the wood like magic into these silky smooth creations. I have been in love with wood ever since.
Yesterday, a friend of ours drove two hours from the mountains to our house. He handed me a stack of wood. Freshly cut. Freshly sanded. Spun magic. I placed them on the work bench, like the trophies they were. I asked Dominique later in the evening, what else was he doing in town. Nothing. He had driven four hours just to give me this gift. My seemingly full heart swelled a bit more. I brushed my hands along the wood to see if what he was telling me was true. It was. We have the magic of such a friend. On a day, perhaps when I needed it most, I was given the air of possibility.
When I was a little girl, my mom would gather blankets and pillows in a pile for me beside her bed. She called it my nest.
I fell in love with Dominique ping by ping. Our first correspondence was on the phone. Text by text. Word by word.
My mom came to help me with an event. I inflated the air mattress for her to sleep on. First, we put it in the living room. But then, because of the time difference in France, as our night began, so did Dominique’s morning, and my phone began to ping. He was on the fast train to Paris. I ran out to the living room to show my mom. After several pings, and giggles, we squeezed her mattress beside my bed. A nest. “Let’s talk all night,” we agreed. There are some moments you never want to end.
We did it often. The magic was never lost on us. We did it in Minneapolis. Chicago. New York. After a show. A book signing. To fit into this world of laughter and praise and love. Art and music and wine and food. It was glorious. And we wanted it to last. To never end. I still do.
I am nested in the memory of it all. Here in the south of France, beside the one I love. I was sent off with a glorious giggle and a love that still nests beside me. In my head, my heart, I am gathered in, and I know, still, if I but ask, we can talk all night.
Within the poems I wrote things like — “as I go through life…” — I was eleven years old.
I found a journal that my friend Cindy gave to me for my birthday. It is filled with my poems — words that I was confident enough to feel and to write, in ink. I guess I knew right from the start that they would save me. These words. There is a Chinese proverb, “I hear and I forget; I see and I remember; I write and I understand.” I suppose that’s all I’ve ever wanted – this understanding.
I need some of that understanding, every day. I suppose we all do. So I continue to write. And I don’t mean that it all ends up making perfect sense. When does that ever happen? But the understanding of a heart, a heart that sees, smiles with lips curled inside, nodding in the agreement that “you are going to be ok,” –calming to this beat of understanding.
She had the assuredness to write on the inside cover, in red ink, “friends always, Cindy.” She was right. We still are. Always will be.
Knowing my mother for those first 11 years, I wrote:
“She’s like the sun, going in and out, waiting for someone to notice her. I’m so glad that I did.”
I type the words. They are all still true. And my heart nods in agreement — We’re all going to be ok.
We were always running. To the neighbors. On the field. In the sand toward the water. To our bicycles – to go even faster. Racing to the joy of it all. But there was something so special about riding in the front seat of the car, we not only raced toward it, we “called it.” And for some reason, we abided by these rules – even if you didn’t get to the car first, if you, in fact, had shouted out “I call the front seat,” then it was yours. The power we held.
I was thinking, wishing actually, praying even, for some of that power. Some of that joy. “If only I was able to reserve it – call it out to be mine.” And as I was thinking, my mind racing in bumper tennis shoes, it occurred to me, maybe I still do. What if I decided today was going to be filled with that speed, that speed that only comes from pure joy? That feeling that blows your hair back and your heart forward. That’s what I want. What if I just “called it?”
We raced through the streets of Chicago. New York. My mom and I. It never occurred to me that she was aging. We ran. Arms draped with packages. From the Magnificent Mile (and it was true to its name!) to the city that never sleeps. We ran. Nothing but joy. And the thing is, in my heart, it’s still happening. My heart races in the memory of it all.
Today might not be easy, but there will be joy, lifting my feet, lifting my heart. I believe in it. I have to. I already called it!
I suppose I’ve always been a dreamer. But I’m not sure it would be possible to live, (not just survive, I mean really live) any other way.
On the playground at Washington Elementary, it was something of a right of passage to display your bruises – your badges of courage. We’d line up under the monkey bars, and point out our battles survived. “This is when my foot got caught in the jump rope and I landed on my knees.” “Oh, yeah, but look, here’s when we were playing tug of war and the rope got caught under my arm.” “Look at my eye – the football hit me right in the face – the FACE!” Never broken, but bruised daily. Because we were participating – joyfully!
I’d like to think the same of my heart. I continue to send it off to battle. It knows, from past experience — this daily beating on life’s playground — that it is going to be bruised. Love will do that. Every time. But I wouldn’t have it any other way.
Maybe my biggest dream is that we could all do this — love this big! Risk it all, believing in the beautiful resilience of the heart.
My heart will not be broken – it is not a block of ice. It is a juicy pear, bruised for sure, but forever delicious! So I run to the playground again and again, proud of what I’ve been through, what you’ve been through! We’re here. Today. Let’s play!
I was watching the British National portrait challenge. A variety of artists are given four hours to paint the portrait of a person. All are good at their craft, for sure. And it’s interesting to see the different techniques they use in their respective mediums. But the most fascinating thing for me is seeing the different ways in which they see a person. When completed, most portraits look like the person sitting, but often the portraits look nothing like each other. One subject commented, “They all look like me, but they are all so different.” Another man was simply moved to tears because he had never seen himself in this way. The subjects get to choose their favorite portrait of themselves and take it home. Interestingly, what they choose is often not what the judges deem the “best” portrait.
So how do we see people? How do we see ourselves? The only answer I can come up with is to keep looking. See people in every light. When they are happy, or sad. Winning or struggling. And give them a reflection. I don’t mean we all have to be portrait artists. Of course, if you can paint someone, show them what you see. Or send them a letter. Return the smile they give you. Or catch their tears. If they are reaching out – reach back. Reflect the heart offered. The same applies to the face in the mirror.
When I painted my mother’s portrait, she said, “That woman doesn’t look like she needs to be afraid of anything – maybe I don’t either.” I pray every day that this is true — reflecting the heart she has always so generously offered to me.
It was my first job out of university. Just sixty miles from my hometown, but it was a huge step – maybe all first steps are. I was to make a fashion show for wives of clients. I had never done anything like it before, but Crossroads mall was just down the road, and I had indeed been training there, with my mother since I was a little girl.
I don’t remember her first response. I wasn’t even really asking. We both knew she was going to be in it. She had loved fashion her whole life. She was made for this – the runway. Even if others in her small town didn’t always see it, I could. So clearly. What a joy. A privilege. To see someone.
We went to the mall for fittings. Confidence grew from giggles to twirls. It all went so fast. Soon the music was playing and the lights were shining. Her outfit was ahead of mine. My heart was beating so quickly. And then I saw her. At the end of the runway. Everything was in slow motion. I saw her twirl. And in that moment, I knew I could do anything.
The music, that seemed now to be coming directly from my mom, carried me down the runway.
There’s a song that asks the question, “How do we keep the music playing?” I just smile, and know, for me, it will never end.
