I have no memory of the apples growing. Each year, they were just there. The branches seemed to go from bare to weighed in just the blink of an eye. And as quickly as the green apples appeared in my grandparents’ trees, we were tripping over them in the grass, loading sack after brown paper sack to give away.
Maybe it’s the way of all living. It goes so quickly. We move from grand point to grand point, missing all the little things along the way. The how we got heres. The growths.
I keep trying to think of her as a young woman — the journey of how Elsie became Grandma Elsie. She wasn’t always in that kitchen. In that yard with an upturned apron full of apples. She once had to have giggled with the girls behind the school. Cursed her parents and dreamed of boys. Imagined a life. A future.
To know the exact details, I suppose, would be like trying to reattach the apples to the tree. But I think it’s enough to know there was more. There is more. So much more to all of us. There are reasons and seasons of how we got here. And maybe we’ll never know all of it, but I think there is empathy in the attempt. Compassion in trying to imagine the whole picture. None of us are just one thing. Maybe in learning that, we come to see some growth after all.
I have no ownership of it. Still, I feel connected to the Mississippi River. Living in Minneapolis all those years, we got to know each other. Understand each other. The secrets and concerns I told over bridge rails. It promising not to erase them, but carry them down. Easing worry and weight. Turning flounder into flow.
I’d like to think I thanked it, this river, for carrying my precious cargo, but I’m not sure I did. Not well enough. Perhaps it is the way with all those we love. We get used to them sharing the weight beside us. Expect it. Rely on it.
My mother was alive the last time I stood on the banks of the river between Louisiana and Mississippi. Yesterday evening in the setting sun, she still was. The love had been carried, just as promised. Ever flowing.
Some might explain it away, saying it was only the moon…but when I looked up in the sky, there was the smile. My mother’s smile. Telling me she knew. She always knew. I smiled back. The river blushed, telling me the same.
We were driving along the coast when I said, “I wish I could see pelicans.” Within a nanosecond, two of them landed on poles beside our drifting car. “Had I known,” I continued, “that we were in the wishes come true zone, I would have aimed a little higher than two pelicans.” We drove on. Smiling. Waiting for the next pocket of dreams come true.
I don’t remember who it was that first told me, “Be careful what you wish for…” I can tell you with all certainty that it wasn’t my Grandma Elsie. She wished for everything. Played everything. Entered every contest. It was a thrill to open her mail, with her permission of course. Eagerly searching for the ones that started with “Congratulations,” but most always receiving the ones that began, “You may already be a winner” — which personally I thought was nice too. And sitting at the kitchen table, inside the hope and attention of my grandmother, it felt more than true.
With each non-winning entry, she assured me (and believed), “We’re getting closer!” And she wasn’t wrong about this either. We were getting closer. Together, traveling to dreams maybe not come true, but dreamy still.
Dominique and I laughed about the pelicans that were now safe in our rear-view mirror. It wasn’t a wasted wish after all, because I knew, just as I had been taught, with each mile, we were getting closer.
Living in the south of France, I see the Sainte Victoire mountain daily. Each time, I give thanks for my current view, and also for the view Paul Cezanne gave us in his paintings. Would I have seen it without him? Would I have noticed the extraordinary beauty of this mountain without his vision? I’m not sure, so I give thanks with each passing step.
I suppose it has always been this way. My grandfather did the same with his farm. Without him, perhaps these fields would have just been blurs from a car window. But not for me. Not since walking with him. Holding his roughened artist hand that turned those fields from black to green to gold each year. Work. Magic. Love. I slow down the car.
We all have a responsibility to find the beauty. To share it. It’s everywhere. Poets and philosophers have tried to explain it. (Certainly smarter than me.) But maybe it’s all about hope. Maybe that’s what makes everything beautiful. So that’s what I try to create. In the faces. In the paintings. In this life. There is hope. Always, if we choose to see it, and share it with each other.
The way they warned us, the teachers at Washington Elementary, trouble seemed to be a place, a spot. “Don’t get into trouble,” they said. The only “trouble” I was having was figuring out where this place was exactly. Because when the teacher said, “Now Steven is in trouble,” he seemed to still be right there, sitting beside us. Hadn’t he said “present,” when she called out his name? Why couldn’t I understand? How come I couldn’t see it? Maybe trouble was invisible, I thought.
It sounds funny, I suppose, but it turns out, I wasn’t all that wrong. We never know what people are going through. We see the outsides so easily, but that’s usually not the whole story. To see the real story, we need to actually be present. It’s not enough to just call it out. We have to be there. Show up. Again and Again. And ask questions when we don’t understand. Listen. Raise our hands. Reach out. Find a way to connect. See with our hearts what our eyes cannot. Make all around us visible.
And if you saw that I am not just my face, but all that I have faced, and if I did that for you…
From the age of five we began looking to see if things fit.
We got our feet measured at Iverson’s shoes, checking for the length and width in the silver contraption. After wiggling our toes inside the bumper tennies, the man on the triangle seat pinched the ends in search of our toes. If he gave the all clear we raced to the glass windows and back. And we were shoed.
In Herberger’s basement, when it was still on Main Street, we tried on pants. The clerk pulled at our waistbands to check for room. Tugged at the length and estimated the time before they would be too short. Up the stairs, past the billing department, were the dresses. Beautiful dresses that were measured to our knees. Zipped up our backs. Smoothed down the fronts.
Dr. Blanchard checked for space in our mouths. Dr. Perkins took our heights and weights. We stood in lines in the school gymnasium to check our eyes and our hearing. All, I supposed, to see if we actually fit.
I had my own checks and balances. Accompanying my mother to Olson’s Supermarket. I waited for her in front of the book section, right by the check out lines. I would pick out the words I understood. Look at the pictures. Then clutch it to my heart. Somehow my heart always knew. The woman in the red smock asked what I was doing. “Just seeing if it fits,” I said. My mother never had to ask. She knew me.
I suppose I’m still doing that. With everything. People. Places. Time. The only way I have ever been able to tell if something really fits is by clutching it to my heart. Sometimes it still stumbles over the bigger words. The tighter spots. The growing pains. But pulled in close, beat by beat, it always leads me home.
It was a cathedral I had to fill, my first solo show in France. I laughed as I made one canvas larger than the next, because it had been all I had prayed for — space.
I used to paint in my small apartment’s bathroom in Minneapolis. It was the only place that I could spill and clean. The seating was built in. Small canvases were easy. Large ones I could balance on my legs, the towel bar and the edge of the tub. I guess I hadn’t been all that specific in my prayers. I didn’t know the answer would come with a move to another country, but there I was, in the south of France, covered in paint, love, and “well, this is what you asked for…” so I filled the space with my story. Canvas by canvas.
Perhaps it is the most open I have ever been. And maybe that’s what love gives you — space. And I don’t just mean romantic love (which does help a great deal!) but also love for yourself, love for the chances that life offers, love for the answers that come as a complete surprise.
I have it now, in home and country and studio, but I still pray for it daily, for my heart That I will find the space for all those trying to share their stories, their talents, their imperfections, their lives. May I be open to them all.
The first set of paper dolls I received was for my 7th birthday from Wendy Schoeneck. My mother had always taught me to smile when receiving a gift. I didn’t know why she had made such a point of it. I suppose up until then, I had always been thrilled with my presents. Wendy was smiling so intently, watching me tear the wrapping paper. So pleased with what was about to be revealed. I scraped the yellowed Scotch tape from the last reluctant piece, only to reveal, to my horror, Buffy and Jody paper dolls. Not only had they spelled my name wrong, but Jody was the boy. I glanced up at my mother. I knew she knew. I guess her constant reminders paid off, because I forced a smile in Wendy’s direction. She couldn’t seem to tell that it was more pain than gratitude.
We played music. Pinned the tail on the donkey. Dropped the clothespins in the bottle. Passed around the presents. Laughed and held sweaty hands in circles. All had been forgotten and forgiven.
One of my presents was a Winnie the Pooh giant story book. We all started to sing the Pooh song, when one of the girls noticed that Winne the Pooh could quickly and easily be translated to Wendy the Pooh. Others joined in. Some giggled. But not Wendy. I knew she felt bad. I opened the box of paper dolls and my mom got out the scissors. We cut out the clothes and quickly forgot about both Poohs. It was a good gift after all. Wendy was smiling. My mom was smiling. And so was I, for real this time.
Sometimes it’s hard to see life’s gifts. They often come ill-wrapped at unwelcomed times. But even the hardest day is kind enough to pass. Find the good. It’s out there.
David Hovda and I were wandering, slowly and aimlessly around Jefferson Senior High School, both in knee-high plaster casts. (This was in my dream last night. I’m sure he’s actually fine.) I had no idea what my schedule was. The halls were empty and the classroom doors were closed. The bell had rung. And I didn’t know where to go. The cast part was real, but not once in my high school years did I ever forget my schedule. It surprises me that I would still have this dream.
I woke up before either of us found our way. I’d like to think we went to the Superintendent’s office. That’s where our parents would have been. His father. My mother. And in typing this, the dream just made sense. My mother sat too close in age and distance to Dr. Hovda. When he passed away first, something told me it wouldn’t be that long.
In high school, I suppose I thought that I would just learn things, and that would be it. The knowledge would stick, and everything would be fine. I had no idea how many times I would have to learn the same lessons. They first told us that we would understand when we got bigger, when we got older. We did both, but oh how the world can make you feel so small. So lost. And you have to learn again. Grow again. And find your way.
Normally a dream like this will unsettle me. But I didn’t wake up afraid. I guess it’s because my heart knows where the Superintendent’s office is. I know I can walk down the terrazzo hall, open the door, and my mother will still be sitting at the front desk, full smiles, overhearing something that Dr. Hovda shouted from his open-door office. And I, we, will all be saved.
Sometimes it takes me a while to get there, but I usually do.
I’m no different from the next person when it comes to packing a suitcase, if that next person is slightly neurotic and overly excited. It’s still three weeks away, but the neurons in charge of organization have already begun counting underwear and creating a capsule wardrobe. “Wouldn’t it be great,” they urged, “if we had packing cubes, and other various sorting devices for the suitcases…” I nodded inside my own head and began searching the web. The options, while infinite, didn’t seem exactly right. I searched through sizes and colors and prices. The right price was the wrong country of origin. The right color was the wrong size. The right size was the wrong price. I searched and fumbled. Added some to cart. Backed out. Searched again. After about an hour and forty-five minutes, it became clear that I could use the random tote bags given free from the pharmacy and the stash of bags my mother gave to me from the make-up counter promotions. I take a breath. I take a pause. I have everything I need. What a relief to quit searching…unless that is, I need more clothes… That’s when I play fashion show from my own closet and once again realize, I have more than plenty.
I suppose it’s true with almost everything — we don’t need more things, we need more ideas. Of course there are specific times when you require a precise tool, object, (even scarf or scarves to match your autumn overcoat), but most of the time I find, if I’m creative enough, thoughtful enough, I already have the perfect solution. And it usually feels great! To shop your own closet and create a new look. To sand and sand the abandoned wood and make a new frame. To create a delicious recipe out of the left-overs. To give the neurons a break and let my heart and hands take over.
Don’t get me wrong. I’m all for commerce. I bought two new books yesterday. (I will use the french bag as backing for a framed picture, but still.) And I want you to buy pictures and books and cards, even from me (insert shameless plug here). So what was my point? I don’t know…maybe Marie Kondo had it right, about all the “sparking joy.” I like that. I think it’s a good idea…I guess that was the point, after all, more ideas — more joyful ideas! Wishing you a day filled with them.
